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Uni-verse ought to be banished from his vocabulary, as online essay editing services implying the diurnal revolution of the fixed stars in a frame or " firmament. Compare " spreadest out the heavens like a curtain" Ps. Max Miiller, " Hist, of Ancient Sanskrit Lite- rature," pp. If I go along trembling, like a cloud driven by the wind : Have mercy, Almighty, have mercy! Yet our surprise abates, not only when we reflect that the error entailed, till these later times, rather a lite- rary than a religious loss, but also when we call to mind how long a similar mask disguised the architec- ture of entire books of the Old Testament, and ob- scured the plenary significance of large sections even of the New.

If a veil was lifted so recently from the face of David or Isaiah, are we to marvel if a veil has lain help with papers on the face of Moses? Even some eighty years ago, however, a striking indication of the true affinities of the COm- Whenever, Varuna, we commit an offence : Whenever we break thy law through thoughtlessness : Have mercy, Almighty, have mercy!

He who gives life, essay writer services He who gives strength : "Whose blessing all the bright gods desire : Whose shadow is immortality, whose shadow is death : Who is the God to whom we shall offer our sacrifice?

Of these, thirty are based on the poetical books, — Job, Proverbs, Ecclesiastes, and the Prophets. The solitary outsider, linking like with like, has for pedestal the 1st of Genesis. If one of these divine compositions is not ordinary prose, neither is the other.

The triads of days are as distinctly essay writer services essay writer services denned as the triplets of petitions. Only the parallelism, from the correlative interlacement of the groups, is more intricate and complex in the Hep- tameron than in the Prayer. He ivho perceives this has the true fcey to the concord which he will search for elsewhere and otherwise in vain. Respect the parallelism, cease to ignore the structure, 33 6 THE CREATIVE WEEK. And yet it is self-evident that if, for any reason, we trisect or break up the groups, the true continuation of day 1 is not day 2 but day 4, of day 2 not day 3 but day 5, of day 3 not day 4 but day 6. And thus the "days" themselves are transfigured from registers of time into definitives of strophes or stanzas, — lamps and land- marks of a creative sequence, — a mystic drapery, a parabolic setting, — shadowing by the sacred cycle of seven the truths of an ordered progress, a fore- known finality, an achieved perfection, and a divine repose k. On tbe number seven see also Moses Stuart, "Apocalypse," vol. The following passages are very import- ant, as coming from so acute and unbiassed a witness : — " To remove the false notion of days, let me observe what is ob- vious to every one on a bare inspection, that the whole system of this representation rests on a comparison by means of which the separations do not take place physically but symbolically.

As our eye is incapable of comprehending at one view the whole creation, it was necessary to form classes, and it was most natural to distin- THE CREATIVE WEEK. The sun and stars enter into this picture of nature as soon as they can With equal truth and acuteness this natural philo- sopher places the creatures of air and water in one class With joy and wonder I approach the rich description Behold the most ancient philosophy of the history of man.

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Why, therefore, did he not interweave them into his account? Why, as if in contempt and despite of them, did he sym- bolically compress the origin of the world into the smallest portion of time? Evidently because he was desirous of obliterating them as fables Moses leaves essay writer services every one at liberty to frame epochs as he pleases. To obviate these follies, he represents his picture in the readiest cycle of a terrestrial revolution.

God did His own perfect work in His own perfect way, and His very rest was but a passing onward to still higher manifestations of His boundless bounty and love.

In this, says the Fourth Commandment, quoting, though without reference, the familiar religious lesson, " Be ye followers of God. For more than half a century the Mosaic record of creation has been invested with a peculiar interest. Like the regiment in a great war which goes first into action, or like the outlying rock in a long ridge which has to sustain the full shock of the yet unbroken billow, this portal of the Scriptures, from its being the portal, and from the presumed facilities of successful attack supplied by the young science of geology, has been pre-eminently exposed to the polemic of modern scepticism.

Now we are surely entitled to ask any critic of " Mosaic Cosmogony" in tvhat character he proposes to THE CREATIVE WEEK.

A man may be a Christian or he may be an unbeliever, but he cannot be anything between. There are certain problems which cannot be dealt with piecemeal.

The afflatus was not mesmeric, but moral and spiritual : it was rather comparable to thermal currents than to the rigid circumscription of mathematically defined zones. But it is one thing to make frank and full allowance for the human element in the Scriptures, and quite another to forget or explain away the co- presence of the divine. Does he believe, or not believe, in the resurrection of our Lord from the dead?

These are the plain questions to which, from any censor of the Scriptures, we are entitled, in limine, to exact 1 St. If the reply be, "I do not accept the supernatural : I do not believe that Christ is risen," — we know what and whom we have to contend with. A divine reality in the religion bespeaks and implies a divine element in its records.

He who professes to hold that the reve- lation is supernatural, yet argues as if the Bible were merely human, confutes himself. Every mind dis- ciplined in the valuation of evidence must see that the choice is, Neither or Both.

Tremblers on the verge of the dark and terrible valley which parts the land of the living from the untried hereafter take this Hand of human tenderness yet godlike strength, or they totter into the gloom without prop or stay. They who look their last on the beloved dead listen to this Voice of soothing and peace, else death is no uplifting of everlasting doors and no enfolding in Everlasting Arms, but an enemy as appalling to the reason as to the senses, the usher to a charnel-house where high- est faculties and noblest feelings lie crushed with the THE CREATIVE WEEK.

The revelation refuses to be sundered from its records. In the human past, as in palaeontology, there are only two ways of it, the creed of Lucretius or the creed of St.

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